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A panel of writers will choose ten to twelve pieces of poetry or prose to be featured in Multnomah Arts Center’s poetry post throughout 2019! With the writer’s permission, selected pieces will also be shared on MAC’s Facebook page. Kim Stafford called MAC’s poetry pole “just exactly what it is, the most beautiful poetry post in Portland,” built and designed by five local artists, with nearly 200 poems distributed to the
public each month.
• Email up to two typed works, no longer than one page each (Word or PDF format) to:
• Include short bio and phone number in your email.
• Poetry with English translation welcome.
• Content should be appropriate for all ages.
• Submissions must be received by 10/1/2018. Writers will be notified of decisions by
THE SPORTS ISSUE:
On Your Mark, Get Set, GO! Submit your poems for our 8th issue of The Poeming Pigeon. The theme, this time around, is SPORTS. Share your love of the game. Share stories from a fan’s perspective. Relive your glory days. Share how sports have shaped you as person. Dive into controversy surrounding our favorite athletes. We invite you to interpret and expand upon the theme however you like.
The Sports Issue scheduled for release in Spring 2019.
Submission Period: Aug 15 – Sep 30, 2018
Third in a series of workshops led by Lisa Baldwin and H. Ni Aodagain, members of OPA and of Applegate Poets.
Saturday, October 13, 2018 from 10am – 1pm
Fort George Taproom, 1483 Duane St, Astoria, OR 97103
RVSP at https://www.
The Writer’s Guild Astoriawill be hosting a hands-on workshop titled Poetry of Place, taught by award-winning Portland poet John Sibley Williams.
Poetry of place focuses on the landscapes we know, have traveled to, or imagine. Our identities are tied to place and reflected in our writing. We will focus on both the mundane and the sublime of our surroundings and how that effects and informs our inner lives.
In this workshop we will:
-study poems by other writers to see how they write about place
-generate poems from prompts focusing on how place shapes and influences our worldview
-discuss the poems we write as a group, focusing on authenticity, universality, and the musicality of language
This class is for all levels of writers.
John Sibley Williams is the author of As One Fire Consumes Another (Orison Poetry Prize, 2019), Skin Memory (Backwaters Prize, 2019), Disinheritance, and Controlled Hallucinations. An eleven-time Pushcart nominee, John is the winner of numerous awards, including the Philip Booth Award, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, The 46er Prize, Nancy D. Hargrove Editors’ Prize, Confrontation Poetry Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and works as a literary agent. Previous publishing credits include: The Yale Review, Midwest Quarterly, Sycamore Review, Prairie Schooner, The Massachusetts Review, Poet Lore, Saranac Review, Atlanta Review, TriQuarterly, Columbia Poetry Review, Mid-American Review, Poetry Northwest, Third Coast, and various anthologies. He lives in Portland, Oregon.
Fourth in a series of workshops led by Lisa Baldwin and H. Ni Aodagain, members of OPA and of Applegate Poets.
Award-winning poet, John Sibley Williams, offers a free poetry workshop followed by a poetry reading from his new books. A perfect chance to get a little help perfecting your poem for the Sandy Library Poetry Slam. Thursday, April 4th 6:30 pm
THE COSMOS ISSUE: (The Poeming Pigeon #9)
From the learning how to locate the Little Dipper to standing awe-struck under the Milky Way, humans have been asking: What’s out there in the great beyond? Could we survive on Mars? What is dark matter? Are wormholes the secret to time travel? Our curiosity is as vast as the universe itself. Send us your best stargazing poems exploring the great beyond, string theory and black holes. Make a case for Pluto–planet or not planet? This theme is yours to take to the outer limits.
• The Cosmos Issue scheduled for release in Winter 2019/20.
• All Contributors receive a FREE copy of the print journal.
• Please note, we are not accepting reprints for this or future issues.
• Submission Period: April 15 – June 15, 2019 (via Submittable only)
• $3 to submit a group of 3 poems.
I-Park is now accepting applications for its fully-funded four-week autumn residencies. This multi-disciplinary program is open to writers looking to enrich their practice in a collegial, retreat-like setting – in the company of artists working in visual arts, music composition/sound art, moving image and architecture/landscape design.
I-Park residencies are open to writers and playwrights in all genres, including fiction, nonfiction, poetry, screenwriting, literary criticism and mixed media.
Located within a 450-acre nature preserve in rural East Haddam, Connecticut (U.S.), I-Park provides residents with private living quarters in a renovated 1840s farmhouse, a private studio, meals program, well equipped workshop and a modest library – as well as creative access to I-Park’s expansive grounds. Residencies are self-directed, undisturbed and non-judgmental. You decide what you’re working on and when.
Details and application forms are available at i-park.org. Applications are due May 20, 2019 and carry a $35 fee to help defray the cost of the selection panel. This year, I-Park will also be offering $500 travel grants to six international artists. For further information, contact [email protected] or 860-873-2468.
In this Read-Write seminar, we will discuss Margaret Atwood’s poetry, with an focus on style analysis, and then write our own poems as prompted by our work with Atwood’s poems.
Chautauqua Poets & Writers and Southern Oregon University present this unique opportunity for adult writers to work with 2013 inaugural poet Richard Blanco in a small workshop setting over two days: Saturday-Sunday, July 13-14, 9 a.m. – 1 p.m. Space is limited. Advance registration is required. Contact Kathi Bowen-Jones at [email protected] to reserve your spot.