Calendar

Select one or more Categories to view calendar items for Readings, Workshops, Conferences, Calls for Submission, Contests, and Volunteer Opportunities.

The Disclaimer: OPA does not guarantee the information in this calendar to be complete or accurate so be sure to check the organization's web site for submission details, and good luck!

To submit items, please click the "Post Your Event" button at the top of the calendar and enter the information about your event, call for submissions, contest, or volunteer opportunity. Please be sure to select the appropriate Category on the calendar input form. After filling in the "Post Your Event" form, click the "Submit Form" button at the bottom of the screen (if you're using a laptop or tablet, you may need to scroll down to see the "Submit Form" button).

If you have any questions about this calendar, please use the contact form to email the calendar coordinator.

[ai1ec view="monthly" cat_name="readings,workshops,conferences,calls-for-submissions,volunteer-opportunities"]
Apr
25
Sun
2021
Call for poems in response to a painting and/or a song
Apr 25 @ 2:00 pm – 4:00 pm

This year the Mid-Valley Poetry Society’s spring Poetry in Performance program will be a Zoom event, held Sunday, April 25, from 2 to 4 p.m. It will focus on the theme “Healing Fractures” and will feature presentations by Salem painter and writer Cynthia Herron and singer-songwriter Kristen Grainger of the folk-bluegrass group True North.

In anticipation of this program, the MVPS is inviting poets to write poems in response to a visual work, “Low Field with Mended Oak Leaf,” by Cynthia Herron and/or a song, “The Ghost of Abuelito,” by Kristen Grainger. (Abuelito is Spanish for grandpa or granddad – an affectionate variant of abuelo/grandfather.) Then attend the April 25th event and perform the poems during the open mic segment of the program.

Three images of Herron’s work are attached – one showing the entire painting and two showing details of different areas. What the images on a flat screen can’t show: It’s 24” W x 20” H and nearly two inches thick; the niche in the center is six inches square and about an inch and a half deep.

To hear Grainger’s song in a performance with the True North band, enter https://www.youtube.com/watch?v=awdcRGNcOzA in your web browser.

These two works, the visual piece and the song, inspired the idea of a Poetry in Performance program on the theme of “Healing Fractures.” We hope that one or both will inspire you to write a poem in response and that you will share the poem(s) during the open mic segment of the April 25th program.

Please share this call with other poets you know. More information on the entire program will follow soon.

Jun
5
Sat
2021
III Concurso de Poesia Oregoniana 2021 + contest
Jun 5 @ 11:09 pm – Jun 6 @ 12:09 am

III Concurso de Poesía Oregoniana – 2021
Bases del III Concurso de Poesía Oregoniana
El Instituto de Cultura Oregoniana (ICO) que apunta a difundir, promocionar y alentar la poesía escrita en castellano desde el estado de Oregón, convoca al III Concurso de Poesía Oregoniana, 2021.

Reglas
Podrán concursar autores radicados en Oregón, con un poema escrito en castellano, y cuyos derechos no hayan sido cedidos a ningún editor y no hayan sido publicados.
El autor utilizará un pseudónimo, y podrá participar con una obra original e inédita que no sobrepase las 300 palabras. El tema es libre.
El poema deberá ser enviado a través de la página web http://www.oregoniana.org
Los participantes, con su inscripción, autorizan la difusión virtual o física del poema y ceden los derechos del mismo al Instituto de Cultura Oregoniana.
El plazo de presentación finaliza el 20 de agosto de 2021
Criterios indicadores, puntaje
La calificación se realizará de acuerdo a los siguientes criterios:

Técnica
Creatividad
Corrección ortográfica y sintaxis
La aplicación, en forma correcta, de las normas ortográficas y el uso adecuado del lenguaje, salvo cuando se utilice neologismos o expresiones populares, como recursos poéticos
Cartel del Concurso
Cartel del III Concurso de Poesía Oregoniana en PDF

III Concurso de Poesía Oregoniana
III Concurso de Poesía Oregoniana

Fallo del jurado y entrega de premios
El fallo del jurado se hará público el 18 de septiembre de 2021, y la decisión será inapelable pudiendo quedar el premio o los premios desiertos si el jurado lo estima necesario.

La fecha de la entrega de premios se hará en el mes de octubre de este 2021. El día, lugar y hora están por determinar debido al COVID-19 y serán previamente anunciados en esta página y en nuestro Facebook. Será necesaria la presencia de la persona galardonada o de un representante.

En caso de no comparecer, el premio quedará desierto. El hecho de participar en este concurso supone la aceptación de las presentes bases.

El ICO podrá o no publicar los poemas presentados en este concurso.

Premio
El premio será la promoción especial de la persona galardonada en la publicación de una antología de la poesía oregoniana con los mejores poemas escogidos por el jurado.

Se otorgarán 10 copias al ganador, 5 copias al segundo lugar y 3 copias al tercer lugar. El libro se pondrá a la venta al público a un precio módico.

Colabora
El instituto de Cultura Oregoniana tiene el placer de contar con la colaboración del Oregon Poetry Association para la difusión de este concurso

Jul
7
Wed
2021
“Mastering Traditional Poetry Forms” Workshop with John Sibley Williams
Jul 7 @ 2:00 pm – 4:00 pm

Title: Mastering Traditional Poetry Forms: Haiku, Sonnet, Ghazal, & Pantoum

Two Workshop Times:

Wednesdays, July 7, 14, 21, and 28, 2021 @ 2-4pm PST

or

Fridays, August 6, 13, 20, and 27, 2021 @ 2-4pm PST

Platform: Zoom

Tuition: $150

To register, email [email protected]

Our last workshops sold out, so register soon!

More information available at: https://www.johnsibleywilliams.com/upcoming-classes.

About the Workshop:

In the words of Mark Strand and Eavan Boland, “Forms are not locks, but keys. They don’t just open doors; they can start a journey and ultimately determine where you land.”

A poem can contain many elements to give it structure. Rhyme, meter, sound, repetition, experimentation, and so many others bring us back to poetry’s roots in traditional oral forms of storytelling. And there are so many profound reasons why traditional forms have survived the centuries, inspiring new poets and evolving to fit modern modes.

In this intensive, four-class workshop, we will explore the many facets of the haiku, sonnet, ghazal, and pantoum form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for these unique poetic approaches.

AIMS:

· to introduce the conventions of the haiku, sonnet, ghazal, and pantoum forms and how these rules can support your own themes, experiences, and ideas

· to introduce a number of strategies to get into a traditional poetry writing ‘headspace’

· to equip you with creative techniques to generate initial ideas and images

· to develop your ability to shape your initial ideas into strong first drafts

THE WORKSHOP INCLUDES:

· Weekly 120-minute live writing workshop with Q&A

· Multiple writing activities each session

· Professional critique of one new poem each week

· Bonus exercise provided between sessions

· Active discussion of sample poems from diverse contemporary poets

· A chance to more intimately engage with a small, focused writing community

About the Teacher

John Sibley Williams is the author of six collections, including The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

Jul
14
Wed
2021
“Mastering Traditional Poetry Forms” Workshop with John Sibley Williams
Jul 14 @ 2:00 pm – 4:00 pm

Title: Mastering Traditional Poetry Forms: Haiku, Sonnet, Ghazal, & Pantoum

Two Workshop Times:

Wednesdays, July 7, 14, 21, and 28, 2021 @ 2-4pm PST

or

Fridays, August 6, 13, 20, and 27, 2021 @ 2-4pm PST

Platform: Zoom

Tuition: $150

To register, email js[email protected]

Our last workshops sold out, so register soon!

More information available at: https://www.johnsibleywilliams.com/upcoming-classes.

About the Workshop:

In the words of Mark Strand and Eavan Boland, “Forms are not locks, but keys. They don’t just open doors; they can start a journey and ultimately determine where you land.”

A poem can contain many elements to give it structure. Rhyme, meter, sound, repetition, experimentation, and so many others bring us back to poetry’s roots in traditional oral forms of storytelling. And there are so many profound reasons why traditional forms have survived the centuries, inspiring new poets and evolving to fit modern modes.

In this intensive, four-class workshop, we will explore the many facets of the haiku, sonnet, ghazal, and pantoum form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for these unique poetic approaches.

AIMS:

· to introduce the conventions of the haiku, sonnet, ghazal, and pantoum forms and how these rules can support your own themes, experiences, and ideas

· to introduce a number of strategies to get into a traditional poetry writing ‘headspace’

· to equip you with creative techniques to generate initial ideas and images

· to develop your ability to shape your initial ideas into strong first drafts

THE WORKSHOP INCLUDES:

· Weekly 120-minute live writing workshop with Q&A

· Multiple writing activities each session

· Professional critique of one new poem each week

· Bonus exercise provided between sessions

· Active discussion of sample poems from diverse contemporary poets

· A chance to more intimately engage with a small, focused writing community

About the Teacher

John Sibley Williams is the author of six collections, including The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

Jul
17
Sat
2021
OPA Workshop “Metaphor and the Fantastical Imagination” with Armin Tolentino, July 17
Jul 17 @ 10:00 am – 12:00 pm

Armin Tolentino
OPA Workshop
Saturday, July 17
10:00 am (Oregon time)

Guest registration $15, member registration $10

To register, copy and paste https://opa1.wildapricot.org/event-4331609

Metaphor and the Fantastical Imagination

During the past year and a half, as our nation has grappled with disease, racial inequities, the social impacts of technology, and prolonged isolation, we’ve heard our stunned brothers and sisters describe life since March 2020 with phrases like, “it’s just so surreal” and “I can’t even put it into words.” These phrases may have come from our own mouths too, and yet, as writers, we’re still compelled to try and give words to these strange, bewildering times. In this generative workshop, we’ll explore how metaphor and the intersection of observation and imagination can create a deeper meaning and truer reflection of our experience than if we were to just tell it straight. Participants will generate their own metaphoric starts from which they can build poems that give shape to the chaos and honor the gorgeous complexities of being human.

Armin Tolentino is the author of the poetry collection We Meant to Bring It Home Alive (Alternating Current Press). He earned an MFA at Rutgers University-Newark and his writing has appeared in journals including Rigorous, Gobshite Quarterly, Portland Magazine, and Pontoon Poetry. He serves as poet laureate for Clark County, WA. More info at www.armintolentino.com.

Jul
21
Wed
2021
“Mastering Traditional Poetry Forms” Workshop with John Sibley Williams
Jul 21 @ 2:00 pm – 4:00 pm

Title: Mastering Traditional Poetry Forms: Haiku, Sonnet, Ghazal, & Pantoum

Two Workshop Times:

Wednesdays, July 7, 14, 21, and 28, 2021 @ 2-4pm PST

or

Fridays, August 6, 13, 20, and 27, 2021 @ 2-4pm PST

Platform: Zoom

Tuition: $150

To register, email [email protected]

Our last workshops sold out, so register soon!

More information available at: https://www.johnsibleywilliams.com/upcoming-classes.

About the Workshop:

In the words of Mark Strand and Eavan Boland, “Forms are not locks, but keys. They don’t just open doors; they can start a journey and ultimately determine where you land.”

A poem can contain many elements to give it structure. Rhyme, meter, sound, repetition, experimentation, and so many others bring us back to poetry’s roots in traditional oral forms of storytelling. And there are so many profound reasons why traditional forms have survived the centuries, inspiring new poets and evolving to fit modern modes.

In this intensive, four-class workshop, we will explore the many facets of the haiku, sonnet, ghazal, and pantoum form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for these unique poetic approaches.

AIMS:

· to introduce the conventions of the haiku, sonnet, ghazal, and pantoum forms and how these rules can support your own themes, experiences, and ideas

· to introduce a number of strategies to get into a traditional poetry writing ‘headspace’

· to equip you with creative techniques to generate initial ideas and images

· to develop your ability to shape your initial ideas into strong first drafts

THE WORKSHOP INCLUDES:

· Weekly 120-minute live writing workshop with Q&A

· Multiple writing activities each session

· Professional critique of one new poem each week

· Bonus exercise provided between sessions

· Active discussion of sample poems from diverse contemporary poets

· A chance to more intimately engage with a small, focused writing community

About the Teacher

John Sibley Williams is the author of six collections, including The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

Jul
28
Wed
2021
“Mastering Traditional Poetry Forms” Workshop with John Sibley Williams
Jul 28 @ 2:00 pm – 4:00 pm

Title: Mastering Traditional Poetry Forms: Haiku, Sonnet, Ghazal, & Pantoum

Two Workshop Times:

Wednesdays, July 7, 14, 21, and 28, 2021 @ 2-4pm PST

or

Fridays, August 6, 13, 20, and 27, 2021 @ 2-4pm PST

Platform: Zoom

Tuition: $150

To register, email [email protected]

Our last workshops sold out, so register soon!

More information available at: https://www.johnsibleywilliams.com/upcoming-classes.

About the Workshop:

In the words of Mark Strand and Eavan Boland, “Forms are not locks, but keys. They don’t just open doors; they can start a journey and ultimately determine where you land.”

A poem can contain many elements to give it structure. Rhyme, meter, sound, repetition, experimentation, and so many others bring us back to poetry’s roots in traditional oral forms of storytelling. And there are so many profound reasons why traditional forms have survived the centuries, inspiring new poets and evolving to fit modern modes.

In this intensive, four-class workshop, we will explore the many facets of the haiku, sonnet, ghazal, and pantoum form, focusing on our personal relationships with sound and rhythm and refining our relationships with form and content. We will learn the rules, yes, and when best to break them, fostering a new understanding of and appreciation for these unique poetic approaches.

AIMS:

· to introduce the conventions of the haiku, sonnet, ghazal, and pantoum forms and how these rules can support your own themes, experiences, and ideas

· to introduce a number of strategies to get into a traditional poetry writing ‘headspace’

· to equip you with creative techniques to generate initial ideas and images

· to develop your ability to shape your initial ideas into strong first drafts

THE WORKSHOP INCLUDES:

· Weekly 120-minute live writing workshop with Q&A

· Multiple writing activities each session

· Professional critique of one new poem each week

· Bonus exercise provided between sessions

· Active discussion of sample poems from diverse contemporary poets

· A chance to more intimately engage with a small, focused writing community

About the Teacher

John Sibley Williams is the author of six collections, including The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

Aug
22
Sun
2021
2021 Sejong International Sijo Competition @ Sejong Cultural Society
Aug 22 – Sep 30 all-day

International Sijo Poetry Competition
No entry fee; Prizes $500, $250, $100
Submit online at https://bit.ly/2VPrr6i
See more information at https://bit.ly/3itFw1X

Sep
18
Sat
2021
Reading Diane di Prima’s LOBA, led by Lauren Mallett @ Soapstone, Inc. via Zoom
Sep 18 @ 10:00 am – Oct 9 @ 12:00 pm

Reading Diane di Prima’s LOBA, led by Lauren Mallett
Four Saturdays, 10 a.m. – 12 p.m. PST
September 18 through October 9 via Zoom
$50, scholarships available
Limited to 16 participants

In an interview with Jacket magazine, Diane di Prima said, “I wanted everything—very earnestly and totally—I wanted to have every experience I could have, I wanted everything that was possible to a person in a female body.… So my feeling was, ‘Well’—as I had many times had the feeling—‘Well, nobody’s done it quite this way before but fuck it, that’s what I’m doing, I’m going to risk it.’”

Di Prima (1934-2020) was a poet of the Beat movement and the author of more than 40 books. She was born in Brooklyn and grew up on the East Coast. As an adult she ventured out west and settled in California. Di Prima taught at the Jack Kerouac School of Disembodied Poetics and Amiri Baraka was one of her closest collaborators.

Di Prima’s LOBA is the most ambitious of her writing projects. Adrienne Rich described LOBA as “An epic act of language, a great geography of the female imagination.” This four-part study group will focus primarily on LOBA’s form, content, and craft. We’ll discuss the risks di Prima takes, and what she achieves as a result. The facilitator, poet and long-time LOBA fangirl Lauren Mallett, will provide brief excerpts from di Prima’s Memoirs of a Beatnik and Recollections of My Life as a Woman to complement our discussion of LOBA. On our final Saturday together, we will also consider di Prima’s legacy in contemporary poetics.

Our required text is the expanded edition of LOBA by Diane di Prima (blue cover, Penguin Books, 1998). Interest in the divine feminine, second-wave feminism, and literary myth-making is far more important to our conversation than poetry experience or vocabulary.

Lauren Mallett (she/her/hers) is a poet, teacher, doula, and mushroom forager. She has lived and studied in Guanajuato and Xalapa, Mexico. Lauren taught dual-language immersion fifth grade in Richmond, California. She earned her MFA and was the Assistant Director of Creative Writing at Purdue University. Her poetry appears or is forthcoming in Poetry Northwest, Salamander, Passages North, Fugue, Tupelo Quarterly, and other journals. Lauren is a 2016, 2019, and 2020 Pushcart Prize nominee. She has taught for Purdue University, the Lafayette Writers’ Studio, and the Reynolds Young Writers Workshop. She lives on Oregon’s north coast, on the traditional homelands of the Clatsop people. www.laurenmallett.com

Oct
1
Fri
2021
LOWER COLUMBIA POETRY COMPETITION OPEN TO ALL CLATSOP, PACIFIC, TILLAMOOK & WAHKIAKUM COUNTY RESIDENTS @ Email Submission
Oct 1 all-day

The Writer’s Guild of Astoria, Oregon is seeking poetry entries from residents of Clatsop,
Pacific, Tillamook, and Wahkiakum Counties for a contest in connection with Jericho Brown’s visit to our community. Deadline for entries is October 1, 2021. Poets are invited to respond to the theme of “Tradition,” inspired by Jericho Brown’s The Tradition (Copper Canyon Press; 2019), winner of the 2020 Pulitzer Prize in Poetry. Submit up to three poems as a single .doc, .docx, or .pdf attachment to [email protected] The Writer’s Guild Board of Directors will judge the entries in the competition categories of Middle School, High School, and College/Community. The following information should appear in the header of each entry: poet’s name, competition category, home address, email address, and phone number. Entries without all information will be disqualified.