Like Nobody’s Business and The Poetry Box present a poetry reading for Penelope Scambly Schott’s new chapbook, November Quilt, which won 2nd place in The Poetry Box Chapbook Prize-2018. We invite everyone to join in this celebration and enjoy an afternoon enjoying one of Portland’s favorite poets.
About the Author:
Penelope Scambly Schott leads a double life. In Portland, Oregon she goes to theater and poetry events and she and her husband host the White Dog Poetry Salon in their home on a hill. In Dufur, Oregon (population 604) she and the white dog climb D hill between the wheat fields and admire the east side of Mount Hood. Also in Dufur she writes and leads an annual poetry workshop. Here she and the dog wander about in the dark. The dog admires the dirt underpaw while the woman sniffs stars.
Penelope’s verse biography A is for Anne: Mistress Hutchinson Disturbs the Commonwealth received an Oregon Book Award for Poetry. Other books include Serpent Love: A Mother-Daughter Epic about a struggle with her adult daughter, along with an essay in which the daughter gives her point of view, and Bailing the River, a poetry collection full of dogs, coyotes, and the unsolvable and sometimes funny mysteries of the ordinary. Most recent is House of the Cardamom Seed.
About the Book:
Reading November Quilt, by acclaimed author and poet, Penelope Scambly Schott, is akin to making a new friend. Brew a cup of tea and curl up in your favorite reading chair as you’re invited to share life experiences, aphorisms, confessions, and curious ponderings in this delightful collection of 30 poems (one for each day of the month).
“Penelope Scambly Schott’s award-winning chapbook of thirty poems—organized and titled as one-a-day offerings for the month of November—reads like a series of brief, conversational letters to the reader. Longings are shared, intimacies revealed, disappointments confessed. Along the way, truths are discovered and delivered aphoristically: ‘Lives don’t have plots; they have refrains.’ Thoughtful and thought- provoking, these poems are not as much meditations as they are invitations—to ponder, to converse, to be disturbed, to love, to never forget. ‘Sometimes,’ Schott writes, ‘I am the surface of a lake / perturbed by every passing breeze that blows.’ In November Quilt, she blows back.” —Andrea Hollander, author of Blue Mistaken for Sky