by Tiel Aisha Ansari
Barefoot Muse Press 2012
Paperback: 40 pages
Tiel Aisha Ansari’s poetry collection, High-Voltage Lines, lives up to its name. Like the conduits delivering strong electrical charges, sparking the air around them, her artful lines convey potent messages. Tiel treats the reader to a dazzling array of well-crafted formal verse poems including villanelles, pantoums, ghazals, sonnets, and sestinas. Her work is a tour de force of metrical and syntactical dexterity that delights the reader with its skilled blending of structure and meaning.
The collection’s first poem immediately invites us into a world of erudite fun:
The Author Introduces Herself
says that my cranium
shows I am dull.
Lethally boring, the
gal in the world, by the
bumps on my skull.
The narrator asserts she is “dull,” but the bouncy rhythm and high-level of language shown by such words and “cranium” and “lethally” as they contrast with silly, invented words like “O’Quakery” and “un-entertainingest” belie this message. She welcomes readers to a world of intelligent craft and word play.
The poetic landscape throughout the book is rhymed verse in set forms, but what might seem sing-songy or old-fashioned written by someone less adept, becomes fresh, lively and evocative in Tiel’s hands. Her pentameter lines remind me of Shakespeare.
Her compassion, spiritual reverence, concern for the nature, and humanity shine throughout this collection. Her literary knowledge allows her to re-imagine characters such as Edmund and Edgar from King Lear and Penelope from the Odyssey. The reader of Tiel’s poems gets to join her in zooming in, for example, on what Odysseus’ lonely wife endures in his absence, how Penelope protects herself from “louts… who quarrel over her with foolish boasts.”
Here are the first two stanzas of Tiel’s pantoum, “Penelope.”
Penelope, Ithaka’s lonesome Queen
is weaving web of excuse and deceit
to blind and bind the suitors she had seen
come crowding to her door on hasty feet.
She’s weaving webs of excuse and deceit
That she unravels every night, alone.
They crowd into her door on hasty feet
Each morn, to find her work is not yet done.
The selection of this form’s line repetition from one stanza to the next in a fixed pattern mimics Penelope’s actions of weaving and unraveling the same threads. The pantoum’s last line is the same as the first. The poem comes full circle just as Penelope’s work does.
The topics in Tiel’s expansive poetry repertoire delve into nature, politics, peace, daily life, news, homage, and her spirituality. David Hedges, president emeritus of the Oregon Poetry Association, describes High-Voltage Lines as “a wellspring of wordplay and wit, a feast of fresh images, a seamless blend of heart, mind, body and spirit.” I enthusiastically agree.
Tiel Aisha Ansari is the current president of the Oregon Poetry Association. She has been a dedicated, generous and gifted leader. This book provides us yet another example of her talent.
Reviewer Bio: Lois Rosen, of Salem, co-founded the Peregrine Writers. Traprock Books published her first book, Pigeons, in 2004. She’s taught ESL at Chemeketa Community College and Creative Writing at Willamette University. Her poetry has appeared most recently in VoiceCatcher, Calyx, Conversations Across Borders, and Alimentum: The Literature of Food.