OPA

Easter Creek, by Gary Lark, reviewed by Tony Greiner

Gary Lark has long been a favorite poet of mine, starting over 20 years ago when I heard him at a reading. Lark read one of his poems “Fishing” and another by Clemens Starck. I thought it generous of him to spend some of his time celebrating another poet’s work. Lark’s poetry also has this kind and accepting spirit, a heart-softening quality that embraces the humanity of even those who err.

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Member News

OPA member Laura LeHew’s new book out from Unsolicited Press

Let Widows be Widows is a collection of poetry in five sections. This collection is about the dead and the living. It illuminates various states of loss, hope, love and mourning from diverse points of view. It begins with denial. A door closing. Happenstance. We are unaware or under-aware of terminal illness or the shock of an unexpected sudden death. Words that we have left unsaid.

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Roadworthy, by Dave Mehler, reviewed by Zeke Sanchez

Dave Mehler is a good writer, a good poet. He writes about his life as a long-haul truck driver. He writes about people struggling with a real life of sequential cigarette breaks between stretches with a hand truck or a forklift, lifting with their arms and backs. Nothing grand. No Great Captains of Industry, no millionaire heart surgeons, no war heroes.

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Daybreak on the Water, by Gary Lark, reviewed by Vince Wixon

The epigraph, “I am haunted by waters,” from Norman Maclean’s masterpiece novella, A River Runs through It, prepares readers of Gary Lark’s Daybreak on the Water for a book about fishing and family. As in Maclean’s book, the water is fresh and, in Daybreak’s case, so is the Umpqua River and its tributaries in Southern Oregon where Lark grew up. Water in various locations––rivers, estuaries, the Pacific ocean—runs through all of Lark’s books of poetry. In fact, four of the seven include water in the title: Tasting the River in the Salmon’s Flesh, River of Solace, Easter Creek, and Daybreak on the Water.

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